NYC Midnight Flash Fiction Challenge #1

Well… I just got the feedback from my submission for the first challenge of the Flash Fiction competition. Unfortunately I did not even place in the top 15. So that is… rough. For me to even move on past the second round I’ll have to place in the top 3. So… Fun.

How the competition works is you’re given a genre (obvi), a location and an object that must appear somewhere in the narrative. For this challenge I was assigned: genre – sci-fi, location – a talent show, and object – a bone.

May I add, I fu-hucking hate Science Fiction. These little challenges have proven to me time and again that it is absolutely not my goddamn genre. Not even a little. What’s also irritating is the three times I’ve competed in this competition I have been assigned this goddamn genre repeatedly. So, please, shoot me.

Below is what I submitted and below that will be judge’s feedback. I will say they are absolutely correct in their reviews. Due to the fact that I literally wrote this in an hour with little to no editing, I’m surprised their critiques weren’t more critical. To be honest, I haven’t even re-read it since I sent it. (And I’m not even reading it now.)

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Starship Follies

            On the twelfth deck of the massive Heavannah II starship, the crew gathered eagerly to watch the Sixteenth Annual “Display of Expertise” talent show.  They chattered to one another, filling the cavernous, round hall with the rabble of their conversation. The chorus of voices sent many who had signed up to participate into states of nervous excitement. For Arnold Habberny, however, his stomach began to twist in agony.

            He stared out at the growing crowd, from behind the curtain of stage right.

            I don’t know if I can do this, he thought to himself.

            The young boy lifted his feathered head piece and dabbed at his brow and down his pale cheeks all the way to the base of his neck.

            A young Mefferling, with blue skin and three crests arching over the top of his head stepped beside Arnold.

            “You can do this,” he said, his forked tongue licked at his thin lips as he spoke.

            Arnold turned to him, “Please tell me you’re not using your mind reading abilities, I’shia. I can’t compete with that.”

            “Please,” I’shia rolled his three eyes, “that’s old news. I got something better slated for debut.”

            Arnold’s stomach twisted even more.

            The four legs of the appointed master of entertainment for the ship, Cassia Corlay, sidled to center stage. Holding out two of his four arms, he gestured for the crowds silence, as he used the other two, to pull from his pocket a small round device. He switched on the circular mic and it took to the air, hovering just above his head.

            “Good evening, my fellows,” his voice boomed across the hall, “and welcome to the show of shows! It gets boring at times, travelling across the reaches of unknown space, which is why once a marked ship year, we all on-board gather to watch what we love to do on our off hours.”

            The crowd cheered.

            “And I am told this years’ collection of displays is going to be greater than last’s. And remember, whoever has the greatest of talents wins the trophy of excellence and earns a guaranteed spot on our next expedition.”

            Arnold’s stomach churned again.

            “Without further ado, let us initiate the show. I present to you, the Ebber Brothers!”

            The crowd cheered and Cassia rushed from the stage.

            The lights dimmed to black and a single spotlight rose to center stage. Illuminated in the lone spot of light was the first act. It was a set of twin Baggins, with scaly skin and yellow slit eyes. They bowed in unison and opened their fish-like mouths to garble a series of phrases. A disembodied, monotoned voice boomed over the crowd translating their words.

            “We have the spectacle of spectacles,” it said for them.

            From the darkness of the surrounding stage an empty silver door frame was placed between them. The two looked to the other and nodded. Then one after the other, they took turns hopping through a single side but emerging from both, cloning themselves. When there were three sets of the twin brothers on stage, the door frame disappeared into the darkness and they all moved about the stage in a choreographed dance.

            The brother’s number ended their number on their knees, and one by one, the clones evaporated in puffs of smoke. A faint haze of the former creatures drifted across the stage.

The crowd’s applause rose like a roar, filling the space.

            Arnold tried to swallow the knot in his throat.

            Cassia retuned to the stage.

            “Not many could beat that,” he said, and the crowd responded with cheers.

            “Our next number is from I’shia Yayabu, last years winner. Please welcome him to the stage!”

            Cassia gestured to his two right arms to off stage, as he exited left.

            “Wish me luck,” I’shia whispered as he left Arnold in the wings.

            The Mefferling took center stage and bowed toward the audience.

            “My talents are only unbound by the study of my Mefferling abilities and innovation.”

            From the darkness of the stage a pair of gloved hands, placed a helmet that fit in between the spaces of I’shia’s crests. He closed his three eyes and held out his arms.

            “Now give me your thoughts,” he said.

             The crowd sat in tense silence.

            With his eyes still closed, he looked to different spots in the audience. Pointing a finger at them, a colored ball of energy would then form from the helmet and vibrate up into the air. Purple, blue, black, and red balls of electricity crackled over the audience, sending them into cheers of excitement.

            “Thank you, I’shia,” Cassia said as he returned to the stage. “That was incredible!”

            I’shia removed his helmet and the balls snapped out of existence.

“I’m doomed,” Arnold mumbled.

“I don’t know how anyone will compete against that but let’s try! Please welcome Arnold Habberny!”

The crowd remained silent as the young man walked into the spotlight. His footsteps echoed ominously across the hall.      

“I… I have this,” he said.

            From beyond the spotlight a very high platform was wheeled out, a box placed in the center. Then a single hand held out an old brown bone.

            Arnold took the bone and climbed up the metal ladder, along the side of the platform to place the bone inside of the box.

            A puff of smoke erupted from the bottom of the platform, producing an earth llama.

            “Ta-da,” he squeaked.

            Arnold held out his hands to a silent audience.

            “That’s not a talent,” a voice shouted from the audience.

            “Did I mention, I crossed it’s DNA with a cobra’s?” he answered back.

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Judges Critiques:

 WHAT THE JUDGES LIKED ABOUT YOUR STORY – {2162}  There was lots of vivid detail – colors, sounds, feelings, different species of aliens, etc. It was easy to feel as if I was among the crowd watching the story unfold. There was also a lot of creativity demonstrated in having thought up the different acts put on at the show.    {2144}  The idea of an annual talent show to keep morale up on a spacecraft is a really creative use of the prompt. The different acts were also intriguing and created some cool visuals.  {2121}  Mixing interstellar species without fanfare, and the inclusion of some of their various different capabilities and appearances, helps define the world of the story more effectively than just setting description. Arnold’s nervous anticipation and reluctance are also understood well, heightening as both acts before him perform their talents to positive audience reactions.   WHAT THE JUDGES {Did Not} LIKED ABOUT YOUR STORY – {2162}  I had a little trouble following the acts themselves – and it is an understandingly difficult feat to create and then describe extraterrestrial talents – in your next draft, perhaps really try to nail down the nature of what is spectacular to the audience – is it the cloning? the clones dancing? the light show of the energy balls? Think of ways to make the alien entertainment more and more beguiling to a reader – including Arnold’s talent, and the audience’s lack of reaction. Why weren’t they impressed? Why was he so nervous? Is the cobra line a joke? It ends a bit abruptly, to me, but I think that the more time you are able to pin down the acts and maybe give Arnold a little more detail, the more this story will cohere!   {2144}  In general, I wanted there to be more at stake here for the characters. Why does Arnold want to do well in this competition? What is on the line? I think we need to understand Arnold a little better to root for him.  {2121}  While Arnold is the protagonist of the story, his talent is revealed last and much more concisely, to the point where the reader doesn’t really understand what he accomplished. The story ends with him attempting to defend his talent by explaining how he crossed DNA to create an “earth llama,’ which in itself is fascinating if given the space to be developed and explained. Arnold is also never described beyond being a “young boy” wearing a feathered headpiece; if he is indeed human, why is he the only human character mentioned in the piece? How does that define/limit his capabilities, especially when compared to the cloning and energy creation abilities of the two talent acts before him? Why is DNA manipulation and species creation not deemed impressive in this world?

#WriterProblems

I am almost certain I have come to this fork in the road once before, when I attempted to edit my novel in the past. Evidently though I chose not to do anything about it and keep it the way it was, for whatever reason. Maybe I thought, “Well I’ll just fix it after I revise the whole thing.” Which is downright ridiculous because the changes required ripple through the rest of the story. Jesus, I really hate myself sometimes. Past Josh was an idiot, to be quite frank.

Here is my dilemma, my novel takes place in the mountains northeast of Boise, Idaho on New Year’s Eve and there is absolutely no snow.  The things that occur very much show no snow and adding it would make things difficult for both me and my protagonists.

When I was editing my Chapter 9 (‘yay’ for making headway) the question that came to mind is, “Wait, could this actually happen?” In this chapter I describe a broad green valley cut in two by a stream. Green… In January… In the mountains. Naw, girl. That doesn’t sound possible. So I did a quick google search and discovered that snow covered 99.5% of the landscape. So, you’re telling me that there is chance of snow. Then that information made me wonder if there would even be a stream.

Luckily I have a buddy who moved from my hometown to a town in Idaho. So I started asking him these very questions. And that kicked me back to the beginning.

When I originally wrote this book I did not have this particular plot point about an alcoholic father and it being New Year’s Eve.  I added that AFTER the fact to answer another couple questions that arose that needed clarification. However, because of them, this has created quite the conundrum.

How do I solve this issue? Do I go back and add in the snow and change the action to handle the new dilemma OOOOR do I just move the date of the story to a spring month? My one hang up is that it would seem too forced for the alcoholic father to have a HUGE change of heart in regards to his substance abuse. With the “New year, new you” mentality it fits better, in my mind.

The other option I had was maybe move it up to May, and make it a birthday thing. Like “Now that I’m 40…” And it could work but AGAIN another plot point comes under attack in the forms of a character that HAS TO put on a jacket. (That is 100% non-negotiable.) Is she still going to ask for a jacket?

Oh, writer problems.

My husband is such a dick. He’s making fun of me by saying that I’m going to be eighty years old still working on this book. “I just need to add one more thing.”

Anyway, I’m probably just going to go back and put a winter layover. I just don’t want to do it.

Flash Fiction Challenge #3

Well, I am saddened to say that I didn’t make it into the final round of the NYC Midnight Flash Fiction competition, however I am surprised that made it as far as I did. In the process I realized a strength I didn’t even know I had in my writing toolbox, satire.  Yeah, I know that I’m hilarious in person and can be charming in text messages, but I wasn’t sure it translated well into my written narratives. Honestly, Round 2 was when I really shined.  (Wow my humility sure is humbling.)

My assignment for this challenge was: genre – sci-fi (ya, again. lame), location – candy shop, and item – an egg. In 48 hours the competitors are tasked with constructing a short story with the requirements above, all within a max of 1,000 words. Below is my submission for the challenge and below that will be the judges critiques. I have to say, Judge 3 was my buddy and seemed to actually like the story. The other two couldn’t have cared less. And what they said in their critique was spot on, especially in regards to the end. My husband did say that Judge 3 “got who I am” when they said “heartfelt and demented.”


REGENERATION

Josh Aron hesitated for a moment at the glass door of the Rocket Fizz candy shop, with a hand clenched around the metal handle.

Shelby Aron stopped short at Josh’s shoulder. “What’re you doing?”

“I don’t know if I can do this.”

Shelby chuckled and laid a hand on his shoulder.

“Of course you can. Just pull with your arm.”

Josh looked at her out of the corner of his eye and sighed through his nose as he opened the door.

A soft bell tinkled from somewhere deep inside the shop, to beckon the owner from the back and the patrons forward. However, at the moment, only the Arons followed the sound.

Both sets of eyes flicked nervously around. The shelves that lined the walls of the store were nearly empty except for a few displays of candy of unknown brands.

“Hello?” Josh’s voice cracked the word. “Is there anyone here?”

The sounds of shuffling paper and a heavy thud preceded the appearance of the owner dressed head to toe in a red and white striped uniform, accompanied with a white golf cap. “I do apologize,” the shopkeeper said, “I didn’t hear you come in. We’re almost about to close for the night.”

“We know,” Josh said, he walked stiff-legged to the glass case that held some displays of homemade chocolate confections.

“She told us this is the time to come.”

The stranger furrowed his brow and examined the two.

“We’re here to order a zyloral.”

“Are you now?”

Josh nodded.

“Who told you about it?”

“Nurse Lilith. She said you only serve the best.”

A smile spread across the man’s thin lips. “Indeed we do.”

The man hurried around the edge of the counter and to the shop door where after a quick glance up and down the street, spun the lock. Then with the same sharp motions, he pulled the shades down over the windows and switched off the neon ‘Open’ sign.

“Come with me,” he said.

The two customers followed the order and found themselves escorted through a kitchen into the walk-in freezer, and once in there taken beyond a false back to a laboratory teeming with men in white lab coats, fussing over specimens displayed in glass jars. A large metallic door, built into the rear wall, led out of the lab into a room that emanated with tinny cries.

The man led them to an office in the furthest corner of the lab, encased in walls of glass.

“Please, take a seat,” the man said, as he sat behind the desk.

They both again followed instructions.

“First things first, do you have the money?”

Josh tried to swallow the lump in his throat as he nodded.

“Good. Now, do you have a viable sample?”

Shelby shoved a hand into her leather purse, removed a hairbrush enclosed in a plastic bag, and handed it to the man.

The stranger held it inches from his face and examined every strand gripped in the bristles.

“We have one right here that will work.”

“That’s a relief,” Shelby said.

The man set the brush down onto the desk and rolled his chair in further.

“Do you have an egg?”

Shelby nodded and laid a hand on her stomach.

“Will the clone have any memories?” Josh said.

“Not at all.”

“Good.”

“However,” the man said, his eyes jumped from one to the other, “any replica of one of you will arise suspicion, and if that were to happen we never met.”

“Oh, it’s not one of us,” Shelby said. “The man you’re cloning has—has passed.”

“Was it a genetic disorder? One that we should remediate?”

Shelby glanced at Josh and waited for a response, and when none came, she said, “No. It was unexpected.”

The man sat back. “I’m—“

“There’s no need,” Josh said. “People get killed all the time.”

His words hung stiff and electric in the air.

Josh’s limbs shook as he stood.

“You know what, I can’t do this. I thought this was something I wanted but—”

“Why not?”

“Do you know how unbearable just the thought of having him and not having him is, Shelbs? Every night I go to sleep alone. I wake up the next morning alone. How am I going to feel to raise him and watch him date someone else, knowing he was once mine?”

Shelby rose to meet his eye.

“We’ve talked about this. This child won’t be him. It will never be because no matter how hard we try we can never bring back the man you knew.”

Tears streamed down Josh’s cheeks. “He will be a clone of Charles.”

“That Charlie is gone, Josh. You can’t recreate the experiences that made your husband. What you can do is raise this child to be a perfect combination of the two of you.”

“How do you figure?”

“Isn’t that what children are? A shadow of one parent guided by the hand of the other?”

Josh stared into his sister’s eyes and smiled.

“I don’t think you’ll get him to like the same movies as you but you can try.”

Josh laughed and wiped away his tears.

He turned to the man and nodded.

Time stretched into eons for Josh as he waited impatiently during the incubation period. Every night as he purchased another baby item or as he converted the home office into a nursery, he wondered if he had made the right decision.

On a Sunday afternoon, he got a phone call from a blocked number with a cheery voice on the other end that told him his zyloral was ready for pick up. He rushed through the house, grabbed the diaper bag and car seat and headed over to the sweet shop to pick up his son.

At the back of the candy shop, holding his and Charles’ child in his arms for the first time, Josh was made whole again, and he doubted nothing.


JUDGE’S FEEDBACK

”Regeneration” by Joshua Hensley-Cline –   WHAT THE JUDGES LIKED ABOUT YOUR STORY – {1686}  The story is an interesting take on cloning, and the twist is a nice touch.  {1504}  The owner’s outfit is memorable and adds whimsy. The couple’s mention of the zyloral builds intrigue. The shopkeeper’s odd behavior at the request is ominous.  {1751}  Wow, this story is so incredibly heartbreaking and chilling at the same time. It works both as an effective science fiction story concerning queer parenthood ( you can’t get too many more brownie points from this reviewer). It’s mildly creepy by the idea that (to extrapolate upon the already state of the art science used to produce surrogate pregnancy), that he’d be raising a clone of his dead husband, genetically his husband, with all the good nurturing he can provide. Heartwarming and demented, great work.  WHAT THE JUDGES FEEL NEEDS WORK – {1686}  Consider focusing on sentence flow and pacing. The ending feels a little too tidy/simple.  {1504}  Calling the shopkeeper “the stranger” was a speed bump. Adding words to the title could make it more distinctive and a stronger draw. You might consider having additional science fiction elements.  {1751}  I do wonder one thing though; why is his sister offering to help him produce this child? Is it simply because her brother needs the love of the clone in his life, or does she get something more deeply satisfying from it? It’s just a suggestion but you might touch on her reasons for this, as I think they are just as pertinent a perspective. However, this is only a suggestion as you move forwards with this powerful story of love.

Flash Fiction Challenge #2

I was going to wait to post my entry until a later date because I have ambition to submit it into another competition. However, I can’t contain myself after the feedback I received. Each person was awarded a score of 1-15, with 15 being the highest (aka first place) in this challenge. I am proud to say I was awarded a score of 14 (second place) which earned me enough points to continue on to the next leg of the competition.

The following is my short story. My group’s assignment was: genre, political satire; location, drive-thru; and item, a wine glass.


FAST FOOD NATION

Ginger Stickler’s red station wagon came to a stop at the end of the long drive-thru line. Her blue eyes followed the string of cars up to a man, wearing a white shirt, pants, and a paper hat, standing next to a large sandwich board. A tablet computer hung around his neck by an American flag lanyard.

“Do you know what you want?”

She turned and looked at her unkempt, twenty-four-year-old son, Josh, sitting in the passenger seat. His brow formed a single line above his eyes to match the one formed by his lips, as his thumb ran up and down the screen of his iPhone.

“Why do we have to go to In-N-Out?” he said.

“Because it’s a Christian restaurant.”

“That seems silly; a business can’t have a religion. Doesn’t that alienate a sizable portion of customers? Can’t we just go to McDonald’s?”

“You don’t have to come here,” she snapped, “You could just go somewhere else if you don’t like it.”

“I can’t, mother. You’re driving the car.”

Ginger sniffed and sat in silence as they followed the line into the drive-thru proper, right where the man in white stood. She rolled down her window.

“Hello, welcome to In-N-Out,” he said, “Today we have started a new promotion. Our eight-year menu is no longer available, and now you must vote to pick which burger will rule for the next four years.”

Ginger’s eyes widened as she clutched her invisible pearls.

Josh leaned forward to look around his mother.

“What are our options?”

The man straightened up and pointed eagerly to the sandwich board depicting three very sloppy dishes.

“Here we have the blue, rise above, freedom for all burger. It’s a tofu patty on a gluten-free, fat-free, sugar-free, flavor-free, from scratch bun, with a sprinkle of flour on top. Extra dry. There are no condiments on it, but we give you a bag full of them if you ask. It comes with a side of birth control and citizenship if you are not currently one.”

“I think we’ve made our choice,” Josh said.

“We certainly have not. What else is there?”

“There is the red, super awesome, kick-ass, glory to god burger. It is a three-pound all-beef patty, smothered in garlic butter, topped with ten onion rings, mayonnaise, ranch dressing, blue cheese crumbles and all on a white bun. However, I would like to note that the beef patty may have fallen on the floor, and the buns may or may not have brushed against the cook’s genitals. But, it’s super delicious. It comes with all the fries you want, as long as you pay for each, individual sliver.”

“Is there anything else?” Ginger asked.

“Yes, ma’am. The third option is a single slice of Kraft cheese, still in the plastic.”

“Oh,” Ginger’s shoulders slumped.

“Obviously it’s the blue burger,” Josh said, as he sat back and returned to his phone.

“I don’t know. We can’t tell where all those ‘free’s’ went. How can you make a bun without it? It’s suspicious.”

“You want a ball basted bun?”

“Do you have any nutritional information?”

The waiter stuck a hand into the front pouch of his apron, pulled out a brochure and gave it to Ginger. She opened it up and read. The blue burger listed out every ingredient individually with each calorie accounted. On the other side, someone had taken a red pen, redacted every item, and had written at the top, “100% all good.” Beneath that in tiny print said, “Don’t be a pussy.”

“I’m going to go with the red burger,” Ginger said.

“Mother—”

“That is one red,” the clerk tapped in Ginger’s order to his tablet.

“Blue for me.”

“And one blue. You’ll get your total at the window.”

The two pulled further into the drive-thru in silence.

“I can’t believe you would choose that unhealthy, killer monstrosity.”

“I’m sorry, that other burger sounded so tasteless. I just couldn’t bring myself to do it.”

The car pulled up to the front window.

The stern-faced employee already held a bag in his hand.

“Here are your two red burgers,” he said, with a Russian accent.

Ginger took their meal.

“No, that was one red and one blue,” Josh said.

The man stared back at Josh dead-eyed.

“Yes. We all get together and decide it’s only red burger for you.”

“But—”

“That will be one hundred and forty-eight dollars and thirteen cents,” the cashier said.

He held out his hand.

Ginger’s bottom jaw dropped, as she blinked in quick succession.

“Oh my goodness, that’s pricey. How much are the burgers?”

“They are twenty dollars. You pay more in tax because them,” the clerk jabbed a thumb over his shoulder.

Ginger peered through the drive-thru window into the dining room. Twelve people in suits sat at tables draped in silk cloths eating steaks off gold plates. A blonde haired man toasted to the room with a wine glass filled to the brim with a red.

“How do I get in there?”

“You don’t. This is for large donor only.” The man still had his arm stretched out. “You pay.”

Another man, wearing a white linen facemask and sporting a rifle, stepped out from behind a bush, just to the front of the station wagon.

Ginger hurriedly dug through her purse for her credit card and handed it over to the cashier. The man took it, slammed the windows shut and glowered at her from behind the glass.

“Can I have it back?”

The man glared as he pointed for her to move along.

As they drove through the end of the drive-thru, a missile shot up from the roof of a Korean barbeque restaurant across the street, arched over a sushi kiosk, and exploded into the In-N-Out, taking out a corner of the restaurant. The people inside screamed and then broke into cheers, peppered with applause.

“We should have just gone to McDonald’s.”


JUDGES FEEDBACK:

”Fast Food Nation” by Joshua Hensley-Cline –   WHAT THE JUDGES LIKED ABOUT YOUR STORY – {1689}  I love how you politicize everything–literally everything–in your story. The idea that establishments can have religions and values and political alliances is reduced to absurd rubbish–wonderfully–in your hands. The missile attack ending is spot on.  {1666}  You did a nice job with the genre here. Your parallels were clever and humorous, and I appreciated the way that you incorporated a consistently increasing sense of absurdity to keep building the pace and upping the critique of today’s political environment. I think the reaction of the people in the restaurant to the Korean bombing was my favorite moment and a bigly unexpected surprise..  {1746}  Haaaa! This is great. Oh, the heavy symbolism. I think the whole premise works really well, and the dialogue made the whole thing A+. I laughed out loud a couple times. Good work!  WHAT THE JUDGES FEEL NEEDS WORK – {1689}  Good news: You have enough imagery and imagination to turn this story into a film. Bad news: I think you have may a bit too much going on for this little story to handle. I love when you focus on the family. Stay on them. Give them one problem to solve. Have them shadowed by one crazed political figure. Let that drama play out. Then you can launch your rocket.  {1666}  First, I have a couple quick grammar notes: “wearing a white shirt, pants, and paper hat” should read “wearing a white shirt, pants, and a paper hat.” A series should be written with parallel construction, so the article “a” must apply to all items or be repeated for each one it does apply to. “‘Why do we have to go to In-N-Out,'” he said,” should have a question mark, as your character has asked a complete question. Similarly, “‘Hello, welcome to In-N-Out,’ he said, ‘today…'” should read “‘Hello, welcome to In-N-Out,’ he said. ‘Today…'” Overall, it would be helpful to review these grammar standards with regard to quotations. In terms of your narrative, I think you did a better job developing the meaning of your red burger than your blue one. The celebration of excess, white trappings, ambiguous ingredients, possible contamination/corruption — it all worked nicely for the former. Your critique of the left wing (as well as of third party contention) felt a little less developed. It was hard to nail down the meaning of the “bag of condiments” that came with the burger, and the nature of the “candidate” lost some clarity for me as the narrative moved on. At first it felt like you were settled into the burger being too plain, pure and boring to beat the monstrosity on the other side, but when Ginger became suspicious of these qualities rather than simply uncompelled, it made me question how your critique was directed.
Overall, I thought this piece was really nice. Even the overarching assertion that American politics can be treated like a cheap, greasy thrill by under-invested “customers” who pay too dearly for it was a solid, subtle theme.  {1746}  The Russian part is hilarious, and tied the whole thing together (that’s when it clicked for me, but I’m a bit slow with all of that). That said, the Russian’s lines could be cleaned up/more realistic/less offensive. I think “This for large donor only” and “You pay” stuck out to me most.